Entertainment
Dates & Venue for ‘Roast and Rhyme’ 23rd Edition Revealed

Swangz Avenue has officially announced the 23rd edition of Roast and Rhyme, set for Sunday, June 1st, 2025, at Hockey Grounds in Lugogo. Originally slated for February at Jahazi Pier, the Reggae Ragga Nyam Nyam edition was postponed due to venue hiccups, but now it’s back.
With the vibes moving from the beach to the city, giving Kampala a taste of this legendary festival right in its urban heartbeat.
Since its humble 2016 beginnings, Roast and Rhyme has evolved from a chill Sunday hangout to a full-blown cultural phenomenon. It’s not just about music anymore — it’s a celebration of Ugandan talent, food, fashion, and community. From established icons to rising stars, this festival continues to be the pulse of Uganda’s entertainment scene.
This year’s city edition will feature performances from Winnie Nwagi, Karole Kasita, Fyno UG, and many more, with fans promised nothing short of electric live sets, sizzling grilled eats, and that classic laid-back Roast and Rhyme energy. And guess what? If you had a ticket for the February edition, you’re getting a free extra one to bring a friend along — talk about good vibes!
🎟️ Tickets are out now:
- Standard – UGX 100,000
- VVIP – UGX 200,000
Buy via the FlexiPay App or dial *291# on mobile.
Roast and Rhyme: The City Edition is bringing the rhythm, the roast, and all the unforgettable memories right to Lugogo. Don’t miss Kampala’s favorite Sunday out!
Entertainment
Big Tril Weighs in on Bebe Cool’s ‘Break The Chains’ Strategy- Says it won’t sell

Ugandan hip-hop artist Big Tril has sparked conversation within the local music scene after sharing candid insights about fellow musician Bebe Cool’s latest album, Break The Chains.
The rapper, best known for his continental hit Party After Party, questioned the strategic direction of Bebe’s new project, citing its heavy Nigerian influence as a possible commercial risk.
Speaking during a recent interview, Big Tril reflected on the complexities artists face when blending local authenticity with continental appeal. He pointed out that while Afro Beats continues to dominate African airwaves, artists from outside West Africa often struggle to break into that market unless they offer a unique, localized sound.
“I tried it once in 2018,” he admitted, referencing his attempt to cater to West African tastes. “The reception wasn’t good. I learned that staying true to your sound resonates more.”
The rapper emphasized that success came when he returned to his Ugandan roots, creating music that blended local flavor with modern production. He believes Bebe Cool, a longtime pillar in Uganda’s music industry, may have miscalculated by pursuing a style that, in his view, neither Ugandans nor Nigerians will fully embrace.
Meanwhile, Bebe Cool remains confident in his direction. Currently promoting Break The Chains through a regional media tour, he is set to kick off a global performance series, starting in Nairobi. Industry watchers are now eager to see whether his Afro Beats experiment will open new markets — or highlight the risks of crossing sonic borders.
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