Entertainment
A Pass Blasts Rabadaba Over His Statements During an Interview

In a video interview with NTV’s The Beat, Rabadaba discredited Uganda’s dancehall artists, saying no dancehall artist has tasted success like him. He added that he has traversed the whole country, and people sing his songs word for word.
These statements did not sit well with A Pass, who, through the same TV station, came out and what Rabadaba said spoke through feelings and that it was disrespectful to him as a dancehall artist.
“Anyone can say whatever they have to say, but it doesn’t mean it is factual. I think he spoke through feelings,” A Pass stated.
He further emphasized that eliminating his name from dancehall is disrespectful because he has done more dancehall than the majority of the artists who do dancehall, and they know it, and that if anyone is doubting, they should come for a challenge.
He also threw some jibes at Rabadab,a saying that he ran away. “Because he has stepped out of Kampala, and people still sing his music, he was good and since he was so good, he ran away. If you believe what you are doing is exceptional, stay here and do it, and I will be honest with you, I am not running away.”
Entertainment
Big Tril Weighs in on Bebe Cool’s ‘Break The Chains’ Strategy- Says it won’t sell

Ugandan hip-hop artist Big Tril has sparked conversation within the local music scene after sharing candid insights about fellow musician Bebe Cool’s latest album, Break The Chains.
The rapper, best known for his continental hit Party After Party, questioned the strategic direction of Bebe’s new project, citing its heavy Nigerian influence as a possible commercial risk.
Speaking during a recent interview, Big Tril reflected on the complexities artists face when blending local authenticity with continental appeal. He pointed out that while Afro Beats continues to dominate African airwaves, artists from outside West Africa often struggle to break into that market unless they offer a unique, localized sound.
“I tried it once in 2018,” he admitted, referencing his attempt to cater to West African tastes. “The reception wasn’t good. I learned that staying true to your sound resonates more.”
The rapper emphasized that success came when he returned to his Ugandan roots, creating music that blended local flavor with modern production. He believes Bebe Cool, a longtime pillar in Uganda’s music industry, may have miscalculated by pursuing a style that, in his view, neither Ugandans nor Nigerians will fully embrace.
Meanwhile, Bebe Cool remains confident in his direction. Currently promoting Break The Chains through a regional media tour, he is set to kick off a global performance series, starting in Nairobi. Industry watchers are now eager to see whether his Afro Beats experiment will open new markets — or highlight the risks of crossing sonic borders.
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