Entertainment
Omega 256 Cancels May Concert

Singer Omega 256 has officially cancelled her May 2nd concert, following a breakdown in relations with show promoter Nobat Events.
The announcement came during a press conference held earlier today, where the artist addressed the sudden turn of events.
Omega explained that despite her team’s best efforts to prepare for the May show, several challenges—including time constraints—made it impossible to pull off the event as initially planned.
“My team and I tried so much to have my show on the 2nd of May, but unfortunately, we failed because of the time limit and other things—some you know, the others you don’t,” Omega said candidly.
The singer revealed that the concert has been rescheduled for September 19, 2025, and will take place at the Lugogo Cricket Oval.
Notably, Omega stated that she and her management will now fully control the event’s planning and execution.
“On the 19th of September, 2025, we will be at Lugogo Cricket Oval. My management and I decided to organize this show ourselves,” she confirmed.
The decision follows a statement from Nobat Events, which had earlier announced the cancellation and cited “disrespect from the artist” as the primary reason for pulling out of the partnership.
Entertainment
Big Tril Weighs in on Bebe Cool’s ‘Break The Chains’ Strategy- Says it won’t sell

Ugandan hip-hop artist Big Tril has sparked conversation within the local music scene after sharing candid insights about fellow musician Bebe Cool’s latest album, Break The Chains.
The rapper, best known for his continental hit Party After Party, questioned the strategic direction of Bebe’s new project, citing its heavy Nigerian influence as a possible commercial risk.
Speaking during a recent interview, Big Tril reflected on the complexities artists face when blending local authenticity with continental appeal. He pointed out that while Afro Beats continues to dominate African airwaves, artists from outside West Africa often struggle to break into that market unless they offer a unique, localized sound.
“I tried it once in 2018,” he admitted, referencing his attempt to cater to West African tastes. “The reception wasn’t good. I learned that staying true to your sound resonates more.”
The rapper emphasized that success came when he returned to his Ugandan roots, creating music that blended local flavor with modern production. He believes Bebe Cool, a longtime pillar in Uganda’s music industry, may have miscalculated by pursuing a style that, in his view, neither Ugandans nor Nigerians will fully embrace.
Meanwhile, Bebe Cool remains confident in his direction. Currently promoting Break The Chains through a regional media tour, he is set to kick off a global performance series, starting in Nairobi. Industry watchers are now eager to see whether his Afro Beats experiment will open new markets — or highlight the risks of crossing sonic borders.
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