Entertainment
Bruno K Hits TikTok With New Show After Bitter Split With Crysto Panda

For months now, Crysto Panda’s “Champanya” has been the undisputed King of Ugandan TikTok, pulling in massive views with its often raunchy discussions about, well, s3x!
Crysto kicked it off, and later, his partner-in-crime, Bruno K, joined the fun, hosting alongside a revolving door of female guests.
The show has grown so huge, it even spilled over into a real-life event! Panda took things to the next level by launching the first ever “Champanya” festival over the Easter holiday at Buloba forest park. Everyone thought it was one big, happy family celebrating success… but apparently, that good vibe didn’t last long!
Insiders are whispering that a major rift set in. We hear Bruno K demanded a piece of the pie – specifically, a claim to the proceeds from the venture! He reportedly felt he deserved an equal share with Crysto Panda, something sources say the media personality flat-out refused.
Panda’s camp, however, insists the “Champanya” festival was entirely his concept, and Bruno K was simply paid for his performance at the event, just like any other artist on the bill. Ouch!
The word on the street is these two former co-hosts are now definitely not seeing eye-to-eye. And Bruno K isn’t just sitting back! In a bold move, he’s announced he’s launching his own competing TikTok show, set to kick off this Monday.
Is this the end of the Panda-K reign? Will Bruno K’s new show steal “Champanya’s” thunder?
Entertainment
Big Tril Weighs in on Bebe Cool’s ‘Break The Chains’ Strategy- Says it won’t sell

Ugandan hip-hop artist Big Tril has sparked conversation within the local music scene after sharing candid insights about fellow musician Bebe Cool’s latest album, Break The Chains.
The rapper, best known for his continental hit Party After Party, questioned the strategic direction of Bebe’s new project, citing its heavy Nigerian influence as a possible commercial risk.
Speaking during a recent interview, Big Tril reflected on the complexities artists face when blending local authenticity with continental appeal. He pointed out that while Afro Beats continues to dominate African airwaves, artists from outside West Africa often struggle to break into that market unless they offer a unique, localized sound.
“I tried it once in 2018,” he admitted, referencing his attempt to cater to West African tastes. “The reception wasn’t good. I learned that staying true to your sound resonates more.”
The rapper emphasized that success came when he returned to his Ugandan roots, creating music that blended local flavor with modern production. He believes Bebe Cool, a longtime pillar in Uganda’s music industry, may have miscalculated by pursuing a style that, in his view, neither Ugandans nor Nigerians will fully embrace.
Meanwhile, Bebe Cool remains confident in his direction. Currently promoting Break The Chains through a regional media tour, he is set to kick off a global performance series, starting in Nairobi. Industry watchers are now eager to see whether his Afro Beats experiment will open new markets — or highlight the risks of crossing sonic borders.
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