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TV Star JK Kazoora Spits Venom as he Musicians “Selfish People on Earth”

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TV Star JK Kazoora Spits Venom as he Musicians "Selfish People on Earth"

Legendary media personality JK Kazoora has blasted Ugandan musicians, claiming they are the most selfish people on Earth.

Through his X (formerly Twitter) account, Kazoora claimed musicians never reached out to him when he lost his father, Major Kazoora, and that only Bobi Wine attended the burial.

Kazoora said he didn’t even receive a condolence message from any of the artists.

He felt betrayed because he believed he had done a lot for many of them throughout the years.

“I have done quite a bit for some musicians, but not even one condolence message from any musician. I have always said musicians are users and the most selfish people on Earth. Only @HEBobiwine reached out,” he wrote.

JK Kazoora also hinted at joining the National Unity Platform to leverage his political career as he eyes a political office shortly.

Earlier, Kazoora apologized to Bobi Wine and the Leader of Opposition, Joel Senyonyi, for the missed opportunity to address mourners at his father’s burial.

“My brothers @HEBobiwine @JoelSsenyonyi, thank you for coming to send off our great father Major John Kazoora. I apologize 🙏 they couldn’t give you a chance to speak, but I’m sure you saw how Kashari youth love you ❤️ one love,” he wrote on his X handle.

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Big Tril Weighs in on Bebe Cool’s ‘Break The Chains’ Strategy- Says it won’t sell

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Big Tril Weighs in on Bebe Cool’s 'Break The Chains' Strategy- Says it won't sell

Ugandan hip-hop artist Big Tril has sparked conversation within the local music scene after sharing candid insights about fellow musician Bebe Cool’s latest album, Break The Chains.

The rapper, best known for his continental hit Party After Party, questioned the strategic direction of Bebe’s new project, citing its heavy Nigerian influence as a possible commercial risk.

Speaking during a recent interview, Big Tril reflected on the complexities artists face when blending local authenticity with continental appeal. He pointed out that while Afro Beats continues to dominate African airwaves, artists from outside West Africa often struggle to break into that market unless they offer a unique, localized sound.

“I tried it once in 2018,” he admitted, referencing his attempt to cater to West African tastes. “The reception wasn’t good. I learned that staying true to your sound resonates more.”

The rapper emphasized that success came when he returned to his Ugandan roots, creating music that blended local flavor with modern production. He believes Bebe Cool, a longtime pillar in Uganda’s music industry, may have miscalculated by pursuing a style that, in his view, neither Ugandans nor Nigerians will fully embrace.

Meanwhile, Bebe Cool remains confident in his direction. Currently promoting Break The Chains through a regional media tour, he is set to kick off a global performance series, starting in Nairobi. Industry watchers are now eager to see whether his Afro Beats experiment will open new markets — or highlight the risks of crossing sonic borders.

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