Entertainment
GNL Zamba Refutes Claims of Ever Being Signed to Navio’s Label
Veteran rapper GNL Zamba has publicly denied long-standing claims that he was once signed to Navio’s record label, calling the story “a lie that keeps getting repeated.”
Speaking in a recent interview, the Lugaflow pioneer clarified that his music journey began in 2008 under Shadrack’s Platinum Entertainment, which funded all his production and video costs. He dismissed suggestions that Navio played any managerial role in his early career.
“He lies a lot. There’s a lie people keep telling, and you can trace exactly where it starts,” GNL said. “In 20 years, he hasn’t signed anyone. They keep lying like this because they’re embarrassed by that fact.”
In a surprising twist, GNL revealed that he wrote music for Navio, including popular tracks like Saloon” and “Bugumu.” He added that despite contributing creatively, he was never paid for his work.
“He is my brother, but he lies a lot,” GNL emphasized. “You can check the papers and see when GNL came out. He wants to claim his label was investing in me?”
According to GNL, Navio’s return to Uganda from South Africa coincided with his own rise. GNL says he was brought in to write and perform hooks to give Navio’s music a local appeal—but as his popularity grew, tension followed.
“He looks down on people like us who come from Kawempe,” GNL stated. “Some people are born out of entitlement, and it blinds them.”
Despite the strong words, GNL made it clear he’s not interested in fueling a feud. “That’s the last time I’ll answer that question,” he concluded.
Ugandan hip-hop artist Big Tril has sparked conversation within the local music scene after sharing candid insights about fellow musician Bebe Cool’s latest album, Break The Chains.
The rapper, best known for his continental hit Party After Party, questioned the strategic direction of Bebe’s new project, citing its heavy Nigerian influence as a possible commercial risk.
Speaking during a recent interview, Big Tril reflected on the complexities artists face when blending local authenticity with continental appeal. He pointed out that while Afro Beats continues to dominate African airwaves, artists from outside West Africa often struggle to break into that market unless they offer a unique, localized sound.
“I tried it once in 2018,” he admitted, referencing his attempt to cater to West African tastes. “The reception wasn’t good. I learned that staying true to your sound resonates more.”
The rapper emphasized that success came when he returned to his Ugandan roots, creating music that blended local flavor with modern production. He believes Bebe Cool, a longtime pillar in Uganda’s music industry, may have miscalculated by pursuing a style that, in his view, neither Ugandans nor Nigerians will fully embrace.
Meanwhile, Bebe Cool remains confident in his direction. Currently promoting Break The Chains through a regional media tour, he is set to kick off a global performance series, starting in Nairobi. Industry watchers are now eager to see whether his Afro Beats experiment will open new markets — or highlight the risks of crossing sonic borders.
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