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Glamour as 2025 iKON Awards climax in style

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It was all glamour over the weekend at Kampala Serena Hotel as iKon Awards has announced the  winners of the edition.

The awards night was highlighted by embracing African culture with stunning African glamour all around, awarding Nigerian film stars, Kanayo O Kanayo and Patience Ozokwor with the African Ikon of the year accolades – celebrating influential figures in African cinema.

The African Ikon of the Year awards were presented by Humphrey Nabimanya, founder of the iKon Awards accompanied by Ramsey Nouah as well as Uganda Communications Commission (UCC) Executive Director, Nyombi Thembo, George Kigozi, Board Member, Reach A Hand Uganda, the Presidential Advisor on Creatives, Eddy Kenzo, and Talent African CEO, Aly Allibhai.

While delivering his award acceptance speech for African iKons award, Kanayo encouraged filmmakers to keep pursuing the film industry, emphasizing that it is a growing avenue for investment.

“Wherever you go in the world, Nigeria stands tall. When you board a flight from Uganda to New York, you watch Nigerian movies on Netflix, Showmax, and in cinemas. What does that tell you? Film is the new oil. We have achieved this in Nigeria, and Uganda can do the same by collaborating and building strong partnerships,” he said as Patience  Ozokwo encouraged women to take up the film industry.

Meanwhile, Mathew Nabwiso explained that the Uganda Film Producers Guild is a platform to

collaborate and advocate for the betterment of film in Uganda.

Here is the full list of winners

● BEST FILM

Makula, NISHA KALEMA

● BEST DIRECTOR

Nisha Kalema, Dan Mugisha, MAKULA

● BEST ACTOR IN A LEADING ROLE

Issa Massade Yusuf, SOCCER HEART

● BEST ACTRESS IN A LEADING ROLE

Pelly Peninah Nampanga, MARIA

● BEST SCREENPLAY

MAKULA, Nisha Kalema

● BEST CINEMATOGRAPHY

Alex Ireeta, Soccer Heart

● BEST ACTOR IN A SUPPORTING ROLE

Bwanika Baale Felix – SSEKUKKULU

● BEST ACTRESS IN A SUPPORTING ROLE

Nana Kagga – MARIA

● BEST TV SERIES

SANYU, Mathew Nabwiso

● BEST ACTOR IN A TV SERIES

Abby Mukiibi Nkaaga, SANYU

● BEST ACTRESS IN A TV SERIES

Diana Nabatanzi, JDC

● BEST COSTUME DESIGN

MARIA, Tazibone Solomon

● BEST MAKEUP AND SPECIAL EFFECTS

THE LIONS OF BUGANDA, Nabakiibi Joana Jojo, Latifah Nabatanzi, Rutaro Abell

● BEST PRODUCTION DESIGN

MAKULA, Imran Musabbeh

● BEST SOUND DESIGN

KARAMOJA, Isiko Abubaker

● BEST EDITING

SOCCER HEART, Kizito Sudaisy Sebowa

● BEST ANIMATION FILM

KATALEYA, Denis Junior Dhikusooka

● BEST DOCUMENTARY

A HISTORY OF FILM IN UGANDA, Timothy Niwamanya

● BEST VISUAL EFFECTS

THE LIONS OF BUGANDA, Patrick Chris Black, Faysal Mukalazi

● BEST SHORT FILM

JIMBI, Tusabe Ivan

● BEST STUDENT FILM

THE CHICKEN THIEF, Enock Timothy Jjemba

● EMERGING FILM AWARD

SSEKUKKULU – Sharon Ishimwe

● IKON RISING STAR

Iradukunda Rebecca Hope

● LIFE TIME ACHIEVEMENT AWARD

Abby Mukiibi Nkaaga

● IKON RISING STAR – AFRICA

Liyabona Mroqoza

● AFRICAN IKON AWARD

Patience Ozokwor and Kanayo O. Kanayo

● IKON FELLOWSHIP – FILM OF THE YEAR

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Big Tril Weighs in on Bebe Cool’s ‘Break The Chains’ Strategy- Says it won’t sell

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Big Tril Weighs in on Bebe Cool’s 'Break The Chains' Strategy- Says it won't sell

Ugandan hip-hop artist Big Tril has sparked conversation within the local music scene after sharing candid insights about fellow musician Bebe Cool’s latest album, Break The Chains.

The rapper, best known for his continental hit Party After Party, questioned the strategic direction of Bebe’s new project, citing its heavy Nigerian influence as a possible commercial risk.

Speaking during a recent interview, Big Tril reflected on the complexities artists face when blending local authenticity with continental appeal. He pointed out that while Afro Beats continues to dominate African airwaves, artists from outside West Africa often struggle to break into that market unless they offer a unique, localized sound.

“I tried it once in 2018,” he admitted, referencing his attempt to cater to West African tastes. “The reception wasn’t good. I learned that staying true to your sound resonates more.”

The rapper emphasized that success came when he returned to his Ugandan roots, creating music that blended local flavor with modern production. He believes Bebe Cool, a longtime pillar in Uganda’s music industry, may have miscalculated by pursuing a style that, in his view, neither Ugandans nor Nigerians will fully embrace.

Meanwhile, Bebe Cool remains confident in his direction. Currently promoting Break The Chains through a regional media tour, he is set to kick off a global performance series, starting in Nairobi. Industry watchers are now eager to see whether his Afro Beats experiment will open new markets — or highlight the risks of crossing sonic borders.

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