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Gloria Bugie Reveals Why Nyash-less Women Hate Her In The Industry

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Ugandan trending singer Gloria Bugie isn’t ready to keep up with haters, especially nyash-less women in the music industry.

She said that she has come to realise that they hate her without even a valid reason why they need to be doing that.

Gloria Bugie has been in the music industry for a short period, but ever since she launched her music career, she has been in the news.

Not only for her music but also her private life, which she didn’t choose to share on social media for everyone to get a glimpse of.

According to the singer, many women in the industry want to look like her, and now that they know it can’t be like that, they just decide to hate on her.

The talented singer said that the main reason these women don’t like her it’s that she is better than them in everything and she is even aiming higher.

“I don’t understand why so many women hate me in this music industry. I think it’s because I look better than them and I am doing much better, which is a problem to some people who can’t be like me.”

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Big Tril Weighs in on Bebe Cool’s ‘Break The Chains’ Strategy- Says it won’t sell

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Big Tril Weighs in on Bebe Cool’s 'Break The Chains' Strategy- Says it won't sell

Ugandan hip-hop artist Big Tril has sparked conversation within the local music scene after sharing candid insights about fellow musician Bebe Cool’s latest album, Break The Chains.

The rapper, best known for his continental hit Party After Party, questioned the strategic direction of Bebe’s new project, citing its heavy Nigerian influence as a possible commercial risk.

Speaking during a recent interview, Big Tril reflected on the complexities artists face when blending local authenticity with continental appeal. He pointed out that while Afro Beats continues to dominate African airwaves, artists from outside West Africa often struggle to break into that market unless they offer a unique, localized sound.

“I tried it once in 2018,” he admitted, referencing his attempt to cater to West African tastes. “The reception wasn’t good. I learned that staying true to your sound resonates more.”

The rapper emphasized that success came when he returned to his Ugandan roots, creating music that blended local flavor with modern production. He believes Bebe Cool, a longtime pillar in Uganda’s music industry, may have miscalculated by pursuing a style that, in his view, neither Ugandans nor Nigerians will fully embrace.

Meanwhile, Bebe Cool remains confident in his direction. Currently promoting Break The Chains through a regional media tour, he is set to kick off a global performance series, starting in Nairobi. Industry watchers are now eager to see whether his Afro Beats experiment will open new markets — or highlight the risks of crossing sonic borders.

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